Amar works as a private detective and tries to make his overbearing wife happy. He becomes involved in a police investigation and has an affair with his client's paramour.

Gautam and Gauri, who live in different cities, meet and decide to get married. However, when Gauri learns more about her in-laws, she starts having second thoughts about the wedding.

Gautam and Gauri, an ambitious couple, are happily married and decide to focus on their careers. But an unplanned pregnancy causes conflict between them and their families.

《幸运52》是一档打破娱乐类、知识竞赛类节目界限，有机地将游戏与知识普及融为一体，充分调动观众参与热情的益智节目；知识性、游戏性与竞赛性并重，是中央电视台首次以场内外互动方式开设的益智性互动性节目。

《幸运52》是一档打破娱乐类、知识竞赛类节目界限，有机地将游戏与知识普及融为一体，充分调动观众参与热情的益智节目；知识性、游戏性与竞赛性并重，是中央电视台首次以场内外互动方式开设的益智性互动性节目。

Ethan Page vs. Lio Rush Anthony Nese with So Cal Val & Andrea vs. Peter Kaasa Tracy Williams vs. Matt Riddle Caleb Konley with So Cal Val & Andrea vs. TJ Perkins Johnny Gargano vs. Drew Gulak EVOLVE Championship Match Timothy Thatcher defends vs. Drew Galloway

A comedy about the employees for the U.S. government, who work in a remote facility in the Nevada desert, which houses and hunts alien creatures.

Loneliness: a trucker who calls out on his CB radio waiting for a reply that never comes. A ghost that haunts the deserted highways. A whale that sings at a frequency no other whale can even hear.

Loneliness: a trucker who calls out on his CB radio waiting for a reply that never comes. A ghost that haunts the deserted highways. A whale that sings at a frequency no other whale can even hear.

In his film Rua Aperana 52 Júlio Bressane describes the invention of a landscape, the topology of a corner of Rio de Janeiro. The film consists of a series of photographs taken between 1909 and 1955 by, among others, Bressane's parents at and around the address used as a title. These are interlarded with scenes from films made between 1957 and 2005, bringing the total fictional time the film covers to almost a century; one hundred years in which the winding road featured in almost every shot structures the new landscape behind the Aperana, which means 'wrong road'. Rua Aperana 52 is autobiographical, as it is a landscape from Bressane's youth, but it is also not so; it is more a multi-subjective mythology of a place seen through all those films and photographs. Bressane refers to his editing as an intuitive form of thinking aimed at evoking moods which make the viewer the new witness of the fictional landscape. A fiction about a fiction,